Mr. Andersen is a current member of the Fort Dodge Municipal Band and has performed with the King Band since 1953 except from 1955-1957 when the Army's 3rd Armored Division Band needed him. Whenever a teaching job took him a great distance from Fort Dodge, Roger still managed to perform with the ensemble as a substitute.
My first awareness of Karl King came in 1943 as a young school student. My mother and I were living in a apartment on Fifth Avenue North in Fort Dodge, while my father was in the service. I would notice this man who lived across the hall coming and going in what I thought was a navy uniform carrying a strange looking case. I though this was odd as there was no ocean close, so one day I asked the landlady who he was. She told me he was a member of the Karl King Band. That set me up for a lifelong interest in Mr. King.
My first opportunity to play with the band came in 1953, when I was a student at Buena Vista College in Storm Lake. My teacher, W. B. Green, recommended me to Mr. King, and I was hired for some concerts for the 1953 summer season. That was the start of my 50 year association with the band. I still remember the first march, Invictus, and the thrill I got at the first downbeat. It was quite an opportunity to sit beside Boyd Garton and play the demanding tuba parts of Mr. King’s marches.
I was involved in playing for many fairs and circuses during Mr. King’s tenure. One of the most memorable was the 1959 Iowa State Fair. The band played the afternoon and night grandstand shows for a 10 day engagement. It was then I got to play beside Johnny Kopecky, one of the finest tubaists I have ever worked with. A memory I still have was rooming under the grandstand for the run of the fair. Most of the band went to downtown hotels, but I thought it was exciting to stay on the grounds. My roommates were Bill Green, Bob Lowrey. and Karl Rogosch; an interesting bunch. Also, there were some horse handlers and race car drivers during the week.
The music for some of the shows was quite marked up to accommodate the various acts. My favorite notation was when the monkey grabs the elephants tail, segue to galop.
Bill Green named this group the Storm Lake Contingent.
Lee McGinnis, Tom Hatton, Karl, Walt Engelbart, Roger Andersen, Bill Green
This photo was taken at 1959 Iowa State Fair.
Mr. King had many ideas about scoring for outdoor show bands. One of his favorite observations was: They used to write for 28 and make them sound like 60; now they write for sixty and make them sound like 28.
In recent years, arrangers have attempted to “clean up” some of his writings. I have heard “this sounds like a steam calliope so we need to fix it” from well-intentioned scholars. They failed to realize that he was writing for a small band playing outdoors, and that was exactly the sound he wanted.
This photo of Karl and Ruth was taken at their home in 1969
Mr. King wrote a great deal of grade 6 music for professional bands, but he also met the needs of school band programs with much quality music of more attainable grade levels. This music served me well throughout my teaching career.